Lyle Ashton Harris
- Installation view, Sommer Contemporary Art, Tel Aviv. Photo: Yigal Pardo.
Solo Exhibition, 2016
- Installation view, Sommer Contemporary Art, Tel Aviv. Photo: Yigal Pardo.
Solo Exhibition, 2016
- Installation view, Sommer Contemporary Art, Tel Aviv. Photo: Yigal Pardo.
Solo Exhibition, 2016
- Installation view, Sommer Contemporary Art, Tel Aviv. Photo: Yigal Pardo.
Solo Exhibition, 2016
- Installation view, Sommer Contemporary Art, Tel Aviv. Photo: Yigal Pardo.
Solo Exhibition, 2016
- Archival Inkjet print on Epson Premium Glossy, 199.47×149.86 cm.
World Business, 2016
- Archival Inkjet print on Epson Exhibition Canvas, 199.47×149.86 cm.
Il Nuovo Ercule, 2016
- Archival Inkjet print on Epson Premium Glossy, 135×101 cm.
Love Split, 2016
- Installation view, Salon 94 Gallery, New York.
Flash of the Spirit, 2018
- Installation view, Salon 94 Gallery, New York.
Flash of the Spirit, 2018
- Installation view, Salon 94 Gallery, New York.
Flash of the Spirit, 2018
- Dye sublimation print on aluminum, 121.9×162.5 cm.
Flash of the spirit, 2018
- Dye sublimation print on aluminum, 121.9×91.4 cm.
Zamble (Clermont), 2018
- Installation view, New York.
Whitney Biennial, 2017
- Installation view, New York.
Whitney Biennial, 2017
- Installation view, New York.
Whitney Biennial, 2017
- Installation view, New York.
Whitney Biennial, 2017
- Chromagenic Print, 38×52 cm.
Ike, L.A. Eyeworks, 1995, 2016
- Chromagenic print, 38.1×52.7 cm.
Waiters, Black Male Exhibition, New York (1994), 2015
- Chromagenic print, 38.1×52.7 cm.
Essex, LA Contemporary Exhibition, Los Angeles (1992), 2015
- Chromagenic print, 38.1×52.7 cm.
Black’s Beach, San Diego (Circa Mid 1990’s), 2015
- Chromagenic print, 52.7×38.1 cm.
Lyle, Los Angeles, Circa Early 1990s, 2015
- Chromagenic print, 52.7×38.1 cm.
Ike, New York, Circa Early 1990’s, 2015
- Chromagenic print, 38.1×52.7 cm.
M. Lamar, Yerba Buena Center for the Arts, San Francisco, 1993, 2015
- Chromagenic print, 38.1×52.7 cm.
Lyle, Guadalajara Circa Mid-1990s, 2015
- Chromagenic print, 38.1×52.7 cm.
Gay’s Head, Martha’s Vineyard, Circa Late 1980’s, 2015
- Chromagenic print, 52.7×38.1 cm.
Neon, Vancouver 1992, 2015
- Chromagenic print, 38.1×52.7 cm.
Lyle and Tommy, Approaching Rome, 1992, 2015
- Chromagenic print, 38.1×52.7 cm.
Doorknob, Venice, 1992, 2015
- Chromagenic print, 38.1×52.7 cm.
Ike and Lyle, Los Angeles, 1995
- Chromagenic print, 38.1×52.7 cm.
Truce between Crips and Blood Los Angeles 1992, 2015
- Chromagenic print, 52.7×38.1 cm.
Lyle, London, 1990, 2015
- Chromagenic print, 38.1×52.7 cm.
Nan, Berlin, 1990, 2015
- Chromagenic print, 52.7×38.1 cm.
Self-Portrait, Rome (1992), 2015
- Fuji flex print, 182x142cm.
Untitled (Easter Break #2), 2014
- Pigment on Kozo Tissue 135.25×114.3cm.
Untitled (Yellow Grid), 2014
- C-Print mounted on Dibond, 104.78×84.14 cm.
Untitled (Miss Ghana), 2010
- Installation view, mixed media, variable dimensions.
Blow Up IV (Sevilla), 2006
- Installation view, duraflex prints, nine panels, 90×662 cm
The Watering Hole, 1996
- Duraflex print, 121×112 cm.
Untitled (Oak Bluffs), 1996
Click here to download artist's CV
www.lyleashtonharris.com