Yael Bartana Selected worksCVSelected press LIght to the Nations/ Farewell, 2024One Channel video and sound installation, 16 min. Malka Germania, 2021Three channel video and sound installation, 38 min. Two Minutes to Midnight, 2021One channel video and sound installation, 47 min. The Undertaker, 2019One channel video and sound installation, 13 min. What if Women Ruled the World? 2017Video teaser for live performance, 120 min. Tashlikh (Cast off), 2017One channel video and sound installation, 11 min. True Finn, 2014One channel video and sound installation, 50 min. Inferno, 2013One channel video and sound installation, 22 min. Zamach (Assassination), 2011One channel video and sound installation, 35 min. Mur i Wieza (Wall and Tower), A Trilogy, 2009One channel video and sound installation, 15 min. Mary Koszmary (Nightmares), 2007One channel video and sound installation, 11 min. Summer Camp, 2007Two channel video and sound installation, 12 min. A Declaration, 2006One channel video and sound installation, 7:30 min. You Could Be Lucky, 2004One channel video and sound installation, 7:30 min. Kings of the Hill, 2003One channel video and sound installation, 7:30 min. Light to the Nations, 2023Installation view, Center for Digital Art, Holon. Image by Daniel Sheriff Light to the Nations, 2023Installation view, Center for Digital Art, Holon. Image by Daniel Sheriff Light to the Nations, 2023Installation view, Center for Digital Art, Holon. Image by Daniel Sheriff Light to the Nations, 2023Installation view, Center for Digital Art, Holon. Image by Daniel Sheriff Light to the Nations, 2023Installation view, Center for Digital Art, Holon. Image by Daniel Sheriff Redemption Now, 2021Installation view, Jewish Museum Berlin, Germany. Redemption Now, 2021Installation view, Jewish Museum Berlin, Germany. Redemption Now, 2021Installation view, Jewish Museum Berlin, Germany. Redemption Now, 2021Installation view, Jewish Museum Berlin, Germany. Redemption Now, 2021Installation view, Jewish Museum Berlin, Germany. Redemption Now, 2021Installation view, Jewish Museum Berlin, Germany. Redemption Now, 2021Installation view, Jewish Museum Berlin, Germany. The Undertakers, 2020Installation view, Sommer Contemporary Art, Tel-Aviv The Undertakers, 2020Installation view, Sommer Contemporary Art, Tel-Aviv The Undertakers, 2020Installation view, Sommer Contemporary Art, Tel-Aviv The Undertakers, 2020Installation view, Sommer Contemporary Art, Tel-Aviv The Undertakers, 2020Installation view, Sommer Contemporary Art, Tel-Aviv Patriarchy is History, 2019Neon work R.I.P. AK47 (I), 2019Pigment relief casting ceramic, 46 x 87 x 10 cm. R.I.P. MR-711 (I), 2019Pigment relief casting ceramic, 46 x 87 x 10 cm. R.I.P. UZI (I), 2019Pigment relief casting ceramic, 76 x 97 x 6 cm. Mur i Wieza, 2019Lightbox and semi-transparent print, 100×70 cm. Masks, 2018Bury Out Weapons Not Our Bodies, 63×53 cm each. Masks I and III, 2018Bury Out Weapons Not Our Bodies, 63×53 cm each. We Shall Be Strong in our Weakness, 2012Neon sign, 80×200 cm. And Europe Will Be Stunned, 2018Installation view, Philadelphia Museum of Art, Philadelphia, USA. And Europe Will Be Stunned, 2018Installation view, Philadelphia Museum of Art, Philadelphia, USA. And Europe Will Be Stunned, 2018Installation view, Philadelphia Museum of Art, Philadelphia, USA. What if Women Ruled the World? 2017Live performance, 120 min. Volksbühne Berlin, Manchester International Festival, Aarhus, ulturhauptstadt Europas. What if Women Ruled the World, 2016Neon sign, variable dmensions. Stalag – The Soldier, 2015Color photograph, fine art print, 42×28 cm. Stalag – The Officer, 2015Color photograph, fine art print, 42×28 cm. Stalag – Daniel, 2015Color photograph, fine art print, 42×28 cm. Stalag – Jonathan, 2015Color photograph, fine art print, 42×28 cm. Stalag – Isaac, 2015Color photograph, fine art print, 42×28 cm. Stalag – Herzl (I), 2015Color photograph, fine art print, 42×28 cm. Next Year in New Jerusalem, 2014Neon, 105×104 cm. Inferno, 2014Lightbox and semi-transparent print, 84x124x8 cm. Inferno, 2014Lightbox and semi-transparent print, 84x124x8 cm. Inferno, 2014Lightbox and semi-transparent print, 84x124x8 cm. Inferno, 2014Print, 44X59 cm. Inferno, 2013C-prints of production shots of Inferno. 56.4×42 cm. Inferno, 2013C-prints of production shots of Inferno. 56.4×42 cm. If You Will It, It Is Not A Dream, 2012Neon sign, 28×500 cm. Zamach (Assassination), 2011RED transferred to HD, duration: 35 min. And Europe will be Stunned, 2010Neon light tubes, 270 x 192 cm. Degenerate Art Lives, 2010One channel stop-animation on 16 mm film and sound installation, duration: 5 min. Still image, 15X20 cm. Degenerate Art Lives, 2010One channel stop-animation on 16 mm film and sound installation, duration: 5 min. Still image, 15X20 cm. Degenerate Art Lives, 2010One channel stop-animation on 16 mm film and sound installation, duration: 5 min. Still image, 15X20 cm. Mary Koszmary (Nightmares), 2009Lightbox and semi-transparent print 100×70 cm. 2011 Mary Koszmary (Nightmares), 2009Lightbox and semi-transparent print 100×70 cm. 2011 The Missing Negatives, 2008Sonnenfeld Collection, Black & white photograph series of 22 images. 48.25×32.25 cm. The Missing Negatives, 2008Sonnenfeld Collection, Black & white photograph series of 22 images. 48.25×32.25 cm. The Missing Negatives, 2008Sonnenfeld Collection, Black & white photograph series of 22 images. 48.25×32.25 cm. Summer Camp, 2007Video still. One channel video and sound installation. 12 min. You Could be Lucky, 2004Installation view, one channel video and sound installation, 7:30 min. Kings of the Hill, 2003Video still. One channel video and sound installation. 7:30 min. Kings of the Hill, 2003Video still. One channel video and sound installation. 7:30 min. Click here to download artist's CVwww.yaelbartana.com The New York Times8 Hits of the Venice BiennaleApr 22, 2024 The New York TimesAt the Venice Biennale the German Pavilion Undergoes a TransformationApr 18, 2024 Haaretzהתערוכה של יעל ברתנא היא פרויקט חלל מרהיבBy Avi PitchonMay 11, 2023 The GuardianThe Guardian: The best art of the 21st centuryBy Adrian SearleSep 17, 2019 Artforum“Reviews: Yael Bartana, Petzel,” Artforum, March 2015By Lauren O'neill-ButlerMar 01, 2015 HaaretzHaaretz: Yael Bartana by Marisa Fox BevilacquaBy Marisa Fox-BevilacquaFeb 10, 2015 The New York TimesThe New York Times: Yael Bartana “And Europe Will Be Stunned”By Roberta SmithApr 18, 2013 The GuardianThe Guardian: Yael Bartana “And Europe Will Be Stunned”; Elizabeth Price: Here – reviewBy Elizabeth PriceMay 12, 2012