Tom Burr
- MATRIX 182 / Hinged Figures, Wadsworth Atheneum Museum of Art, Hartford, CT. 2019
Installation view
- MATRIX 182 / Hinged Figures, Wadsworth Atheneum Museum of Art, Hartford, CT. 2019
Installation view
- MATRIX 182 / Hinged Figures, Wadsworth Atheneum Museum of Art, Hartford, CT. 2019
Installation view
- MATRIX 182 / Hinged Figures, Wadsworth Atheneum Museum of Art, Hartford, CT. 2019
Installation view
- MATRIX 182 / Hinged Figures, Wadsworth Atheneum Museum of Art, Hartford, CT. 2019
Installation view
- Hélio-Centricities, Auroras, São Paulo, Brazil. Courtesy of the artist and auroras. 2019 Photo: Ding Musa.
Installation view
- Hélio-Centricities, Auroras, São Paulo, Brazil. Courtesy of the artist and auroras. 2019 Photo: Ding Musa.
Installation view
- Hélio-Centricities, Auroras, São Paulo, Brazil. Courtesy of the artist and auroras. 2019 Photo: Ding Musa.
Installation view
- Hélio-Centricities, Auroras, São Paulo, Brazil. Courtesy of the artist and auroras. 2019 Photo: Ding Musa.
Installation view
- Deep Purple, 2000/2019, Queer Abstraction, Des Moines Art Center, IA. 2019
Installation view
- Deep Purple, 2000/2019, Queer Abstraction, Des Moines Art Center, IA. 2019
Installation view
- Deep Purple, 2000/2019, Queer Abstraction, Des Moines Art Center, IA. 2019
Installation view
- Deep Purple, 2000/2019, Queer Abstraction, Des Moines Art Center, IA. 2019
Installation view
- Sedimental, SCAD Museum of Art, Savannah, Georgia. Image courtesy of SCAD. 2018
Installation view
- Sedimental, SCAD Museum of Art, Savannah, Georgia. Image courtesy of SCAD. 2018
Installation view
- Sedimental, SCAD Museum of Art, Savannah, Georgia. Image courtesy of SCAD. 2018
Installation view
- Sedimental, SCAD Museum of Art, Savannah, Georgia. Image courtesy of SCAD. 2018
Installation view
- Sedimental, SCAD Museum of Art, Savannah, Georgia. Image courtesy of SCAD. 2018
Installation view
- Grips, 2016, Sommer Contemporary Art, Tel Aviv.
Installation view
- Hot rolled steel, printed stainless steel and glass, 187x120x15 cm.
Grip Fourteen, 2016
- Hot rolled steel, printed stainless steel and glass, 120x178x15 cm.
Grip Thirteen, 2016
- Aluminum frames with a polished, tinted steel face, 200x252x50 cm each. Skulpturenpark Köln, Cologne.
No Access, 2015
- Epoxy paint, bronze, steel and leather equestrian tack, 243.8×243.8×243.8 cm. Courtesy Bortolami Gallery, New York.
Rhythm and Regularity, 2013
- Epoxy paint, bronze, steel and leather equestrian tack, 243.8×243.8×243.8 cm. Courtesy Bortolami Gallery, New York.
Rhythm and Regularity, 2013
- Steel, leather equestrian tack, epoxy paint and chain, 221x508x114.3 cm. Courtesy Bortolami Gallery, New York.
Relaxation and Suppleness, 2013
- Wool blanket and upholstery tacks on plywood, 183x183x7.6 cm. Sommer Contemporary Art, Tel Aviv.
On Catherine Slip, 2013
- Aluminum, steel, glass and hardware, 180x360x5.5 cm. Tilburg, Netherlands.
A Few Golden Moments, 2011
- Gravity Moves Me, FRAC Champagne-Ardanne, Reims. 2011
Installation view
- New York Conversation, Jacket, shirt, and steel pins on stained plywood, 121.9×121.9×7.6 cm. Sommer Contemporary Art, Tel Aviv.
Cast Off Clothes (after Robert Mapplethorpe, “Self-Portrait” 1975), (New York Conversation), 2011
- Mirrored Plexiglas tile, chairs, platform, dimensions variable. Sommer Contemporary Art, Tel Aviv.
New York Conversation, 2011
- Folding wood and canvas cot, 3 red blankets, red pillow, 1969 paperback edition of “Against Interpretation,” by Susan Sontag, dimensions variable. Sommer Contemporary Art, Tel Aviv.
Notes on Camp (New York Conversation), 2011
- New York Conversation, Sommer Contemporary Art, Tel Aviv. 2011
Installation view
- New York Conversation, Sommer Contemporary Art, Tel Aviv. 2011
Installation view
- Paper record sleeves, steel pushpins, acrylic paint, plywood, 121.9×121.9×7.6 cm. Sommer Contemporary Art, Tel Aviv.
Fading in a Manhattan Sunset (New York Conversation), 2011
- Paper record sleeves, steel pushpins, stain and plywood, 121.9×121.9×7.6 cm. Sommer Contemporary Art, Tel Aviv.
Manhattan after Midnight (New York Conversation), 2011
- Detail. New York Conversation, Sommer Contemporary Art, Tel Aviv.
Notes on Camp, 2011
- Mirrored Plexiglas tile, chairs, platform, dimensions variable.
New York Conversation, 2011
- Wood, metal brackets, bolts, carpeting, and mirrored tile, 168.9×243.8×243.8 cm. Sentence, Bortolami Gallery, New York.
Endlessly repeated gesture, 2009
- Wood, metal brackets, bolts, carpeting, and mirrored tile, 168.9×243.8×243.8 cm. Sentence, Bortolami Gallery, New York.
Endlessly repeated gesture, 2009
- Sentence, Bortolami Gallery, New York. 2009
Installation view
- Sentence, Bortolami Gallery, New York. 2009
Installation view
- Sentence, Bortolami Gallery, New York. 2009
Installation view
- Sentence, Bortolami Gallery, New York. 2009
Installation view
- Wood and silver paint, 99x243x76 cm.
Shiver / Sliver, 2009
- Headache, Modern Art, London. 2009
Installation view
- Headache, Modern Art, London. 2009
Installation view
- Painted wood, strait jacket, felt-tip, rubber, old books, variable dimensions.
Blue construction (feel me), (for chick austin, ned rorem, myself, others), 2008
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